Archive for the ‘Warm Bodies’ Category
Motifs in cinema 2013: Love and marriage
“And so they lived happily ever after”.
Not.
They don’t make that kind of movies anymore, do they? If want to take your loved one to a movie date, you’re probably better off staying away from any movie that has to do with love, relationships or marriage. Because they’ll probably leave you questioning if becoming a couple is such a good idea in the first place
Judging from what came out in 2013 this view on love isn’t about to change anytime soon. You have to look hard to find a film that still believes in the “one true love” that will last a lifetime. The united theme of most movies about love and marriage these days is that depicture how it breaks down one way or another. The curve of love seems to be as inevitable as the fact that entropy increases over time. Falling in love puts the world into a neat and simple order. But as we progress through time, learning more about ourselves and about the world, children getting into the picture, it starts to get more complicated. Either we give up about the relationship or we give up about ourselves. Regardless which way we go, there’s a price to pay. Pain, confusion and chaos are looming over us.
A painful wake-up
In 2013 we were introduced to a couple of movie characters who still nourish a romantic view on love, interestingly enough both men. Gatsby in The Great Gatsby has a firm belief that he’s going to win back Daisy with a shower of flowers and Ellis in Mud refuses to realize that neither he, nor Mud, have met their soul mates. They have to travel a long and painful road before they see things as they are: that they didn’t have a relationship in the first place.
Other movie couples are slightly better off, such as Liberace and his young lover in Behind the Candelabra and the female couple in Blue is the Warmest Colour. While those relationships don’t end well, at least they have a few happy years to enjoy before they start their descent.
Unchallenged on the position as “darkest depicturing of a relationship” was The Broken Circle Breakdown. I cried myself through this film, and what made me saddest wasn’t the cancer disease that the daughter of the couple was fighting. It was what the disease made to them, how it tore them apart at a time in their lives when they needed each other more than ever. It reminded a little of Blue Valentine, but more riveting thanks to the bluegrass score accompanying them as they go deeper and deeper, entering circle after circle in their inferno.
Brighter movies
Wasn’t there any movie at all that painted love in brighter colours? Well, I had to think hard about it but I came up with a few. One is About Time, where admittedly the father-son relationship is more important than the romance. But there is a romantic part as well and being a Richard Curtis movie, it doesn’t let you down.
Then there was Don Jon, not exactly romantic at first sight, being about a pretty miserable, appalling porn addict. But it gets better and it ends up being one of the more optimistic love movies from 2013.There is one that beats it though: Warm Bodies, which once for all proves that zombies can be just as romantic as vampires. How little did we know!
Two great movies about love and marriage that came out in 2013 remain. One of them is Her, but I’m not going to talk about it further in this post. Not because it doesn’t deserve a mentioning; it deals with the topic in a very interesting way and I fell in love with the movie on spot. But I watched it only the other day and so did many other people outside of the US market. In my book Her isn’t a 2013 movie. It’s one that I’ll save for next year’s motif post.
Before Midnight
The other movie is, of course, Before Midnight, THE movie about love and marriage of the year, hands down. What can I say that hasn’t been said before? I just feel privileged to be able to follow the ups and downs in Jessie’s and Celine’s relationship, reconnecting with them every nine years. If the conversation in the first movie was mostly flirty, it hit a deeper level in the second as they opened up about their current life situation and what had become of the dreams of their youth. But it’s in this third movie that it starts to get real. Not everyone who watched it appreciated this; I’ve seen some who felt genuinely sad to see them fighting the way they did, longing back for the earlier, more romantic days. I see it differently. Love is about so much more than just plain romance. Romance serves as a starting point, but it can only hold your attention that long. It’s what happens over all those following years when the novelty has worn off that truly matters. Or as they put it so beautiful in The Deep Blue Sea, which I’ve already quoted in a previous post, but is so good that it deserves to be put out there again:
A lot of rubbish is talked about love. Do you know what real love is? It’s wiping someone’s arse or changing their sheets when they’ve wetted themselves – and then let them keep their dignity so you can both go on.”
I imagine that Jessie and Celine could be this for each other in the future. I hope we’ll be able to follow them to that point. But I don’t think we’ll ever leave the theatre after watching a Before-movie in the safe knowledge that they’ll live happily ever after. Those days are irrevocably over.
About Motifs in Cinema
This post is a part in a yearly event called “Motifs in Cinema”, organized by Andrew Kendall at Encore’s World of Film & TV.
Here’s how Andrew has described the idea:
Motifs in Cinema is a discourse across some film blogs, assessing the way in which various thematic elements have been used in the 2013 cinematic landscape. How does a common theme vary in use from a comedy to a drama? Are filmmakers working from a similar canvas when they assess the issue of death or the dynamics of revenge? Like most things, a film begins with an idea – Motifs in Cinema assesses how various themes emanating from a single idea change when utilised by varying artists.”
Don’t miss out the other posts in this blogathon, which includes thirteen different themes. All the posts are collected in a list over at Andrew’s place.
Braiiins! – or how I was charmed by Warm Bodies
I’ve killed hundreds, not to say thousands of zombies during my lifetime. And they have killed me more times than I can remember in return.
I’ve also been turned into a zombie on more than one occasion. And I’ve cursed the inconvenience of sharing a limited space with brain eaters as I lived through a zombie invasion.
Considering all of this you could get the idea that I should be pretty familiar with the zombie concept, being some kind of expert on lore and mythology. But sadly I’m not. Playing World of Warcraft doesn’t require you to study them closely. All you need to do is to learn how to avoid them or kill them.
Void in my education
I haven’t taught anything about zombies from the movies either. It might come as a shock to some of you, but I don’t think I’ve watched any zombie movie in my entire life before I watched Warm Bodies the other night. All I knew was that they were dead and stupid and had a peculiar diet. “Braiiins!”
This void in my education meant that I couldn’t tell in what ways Warm Bodies broke the rules and standards of the zombie universe. I couldn’t spot the ideas that had been borrowed from other zombie movies in the past either. I knew nothing, and maybe that’s why it was so easy for me to embrace it.
Being in a right mood probably helped a bit too. I watched after a day at work in company with a colleague, another middle-aged woman who joined me for a free pre-screening on an impulse when I asked her, after failing to convince any family member to join me.
We went into it expecting the worst since we assumed we weren’t the intended target audience for a rom-com zombie movie. But the opening credits hadn’t stopped rolling before we were smiling and giggling in the most delightful way. It had already won us over.
A cute story
So this is a cute little Romeo-and-Juliet style story where a zombie boy and a non-zombie girl fall in love following on the event where he has killed and eaten her boyfriend’s brain but decided to spare her life for the beauty of her eyes or something like that.
Complications will follow since zombies aren’t popular among the few remaining humans. And when humans and zombies aren’t trying to kill each other, there are the even more dangerous skeleton figures, zombies that have progressed further into their decay to a point where there’s no return. They’re deader than the dead, they’re evil and they must be avoided. Or killed in some manner.
(Not that I understand how you can kill someone who is deader than the dead. Maybe they should do like they did in a Swedish children’s program, Greveholm, where they fought the evil spooky skeleton with soda that had a dissolving effect on bone as well as on teeth. But I’ll leave the discussion about suitable weapons against skeletons for another time.)
A charming film
It’s enough to say that I was surprised at how charmed I was by this little film. I admit there are some clichés and a certain amount of cheesiness. The usage of music is also a little bit too frequent and obvious. It’s as if it turns into a music video once in a while. I could have lived without that. But in the end I had fun watching it, particularly in the first half, where the comedy still dominated over the romance.
Warm Bodies does pass the Bechdel test, but only just barely. However I was still happily surprised to see its treatment of women. Julia isn’t just a helpless lady in distress and the object of zombie desire. She takes decisions and acts on them, is a ton better at driving a car than her zombie date, can handle a gun, has a taste for beer and opens a bottle without an opener if needed. It’s all small details, but I appreciate the effort from the writer and director Jonathan Levin.
I’ve always been much more into vampires than into zombies, as a result of being exposed to Ann Rice’s novels in my youth. Maybe it’s time for me to explore the world of zombies a little bit further, outside of Azeroth. There’s more you can do with them than grind them for XP.
The question now is: where next?
Warm bodies (Jonathan Levin, US 2013) My rating: 4/5