Archive for the ‘Blue is the Warmest Colour’ Category
Motifs in cinema 2013: Love and marriage
“And so they lived happily ever after”.
Not.
They don’t make that kind of movies anymore, do they? If want to take your loved one to a movie date, you’re probably better off staying away from any movie that has to do with love, relationships or marriage. Because they’ll probably leave you questioning if becoming a couple is such a good idea in the first place
Judging from what came out in 2013 this view on love isn’t about to change anytime soon. You have to look hard to find a film that still believes in the “one true love” that will last a lifetime. The united theme of most movies about love and marriage these days is that depicture how it breaks down one way or another. The curve of love seems to be as inevitable as the fact that entropy increases over time. Falling in love puts the world into a neat and simple order. But as we progress through time, learning more about ourselves and about the world, children getting into the picture, it starts to get more complicated. Either we give up about the relationship or we give up about ourselves. Regardless which way we go, there’s a price to pay. Pain, confusion and chaos are looming over us.
A painful wake-up
In 2013 we were introduced to a couple of movie characters who still nourish a romantic view on love, interestingly enough both men. Gatsby in The Great Gatsby has a firm belief that he’s going to win back Daisy with a shower of flowers and Ellis in Mud refuses to realize that neither he, nor Mud, have met their soul mates. They have to travel a long and painful road before they see things as they are: that they didn’t have a relationship in the first place.
Other movie couples are slightly better off, such as Liberace and his young lover in Behind the Candelabra and the female couple in Blue is the Warmest Colour. While those relationships don’t end well, at least they have a few happy years to enjoy before they start their descent.
Unchallenged on the position as “darkest depicturing of a relationship” was The Broken Circle Breakdown. I cried myself through this film, and what made me saddest wasn’t the cancer disease that the daughter of the couple was fighting. It was what the disease made to them, how it tore them apart at a time in their lives when they needed each other more than ever. It reminded a little of Blue Valentine, but more riveting thanks to the bluegrass score accompanying them as they go deeper and deeper, entering circle after circle in their inferno.
Brighter movies
Wasn’t there any movie at all that painted love in brighter colours? Well, I had to think hard about it but I came up with a few. One is About Time, where admittedly the father-son relationship is more important than the romance. But there is a romantic part as well and being a Richard Curtis movie, it doesn’t let you down.
Then there was Don Jon, not exactly romantic at first sight, being about a pretty miserable, appalling porn addict. But it gets better and it ends up being one of the more optimistic love movies from 2013.There is one that beats it though: Warm Bodies, which once for all proves that zombies can be just as romantic as vampires. How little did we know!
Two great movies about love and marriage that came out in 2013 remain. One of them is Her, but I’m not going to talk about it further in this post. Not because it doesn’t deserve a mentioning; it deals with the topic in a very interesting way and I fell in love with the movie on spot. But I watched it only the other day and so did many other people outside of the US market. In my book Her isn’t a 2013 movie. It’s one that I’ll save for next year’s motif post.
Before Midnight
The other movie is, of course, Before Midnight, THE movie about love and marriage of the year, hands down. What can I say that hasn’t been said before? I just feel privileged to be able to follow the ups and downs in Jessie’s and Celine’s relationship, reconnecting with them every nine years. If the conversation in the first movie was mostly flirty, it hit a deeper level in the second as they opened up about their current life situation and what had become of the dreams of their youth. But it’s in this third movie that it starts to get real. Not everyone who watched it appreciated this; I’ve seen some who felt genuinely sad to see them fighting the way they did, longing back for the earlier, more romantic days. I see it differently. Love is about so much more than just plain romance. Romance serves as a starting point, but it can only hold your attention that long. It’s what happens over all those following years when the novelty has worn off that truly matters. Or as they put it so beautiful in The Deep Blue Sea, which I’ve already quoted in a previous post, but is so good that it deserves to be put out there again:
A lot of rubbish is talked about love. Do you know what real love is? It’s wiping someone’s arse or changing their sheets when they’ve wetted themselves – and then let them keep their dignity so you can both go on.”
I imagine that Jessie and Celine could be this for each other in the future. I hope we’ll be able to follow them to that point. But I don’t think we’ll ever leave the theatre after watching a Before-movie in the safe knowledge that they’ll live happily ever after. Those days are irrevocably over.
About Motifs in Cinema
This post is a part in a yearly event called “Motifs in Cinema”, organized by Andrew Kendall at Encore’s World of Film & TV.
Here’s how Andrew has described the idea:
Motifs in Cinema is a discourse across some film blogs, assessing the way in which various thematic elements have been used in the 2013 cinematic landscape. How does a common theme vary in use from a comedy to a drama? Are filmmakers working from a similar canvas when they assess the issue of death or the dynamics of revenge? Like most things, a film begins with an idea – Motifs in Cinema assesses how various themes emanating from a single idea change when utilised by varying artists.”
Don’t miss out the other posts in this blogathon, which includes thirteen different themes. All the posts are collected in a list over at Andrew’s place.
Blue is the Warmest Colour – so much more than just the sex
So finally it arrived to Sweden, the talked-about-movie from Cannes: Blue is the Warmest Colour.
The question was if I was going to see it at all. I’ve written before about how much I hate long sex scenes, and this was exactly what this film was going to contain. If you’d believe how the talk about it went, it would be as good as a porn movie in the amount of sex it presented. And from the initial praise it had received, it had gone into a backlash. The actors seemed unhappy about it and there were also voices raised about the way that the lesbian sex was displayed: in a way that wasn’t realistic and through a lens coloured by a “male gaze”, if I understood the criticism correctly. Another illustration of male fantasies. Did I really need that? Besides it clocked about three hours, which seemed a lot. But after some inner debate I gave in and decided to give it a chance. After all: I wanted to check out what the buzz was about. Keep up with the debate, see what the celebrities in Cannes saw, even though I admittedly was very late to the show.
And I didn’t regret my decision a bit. No, I haven’t changed my mind about sex scenes in movies at all. I can see why there needs to be sex scenes in this film, since the physical attraction between the two women is what keeps them together for several years, despite the difficulties they have because of their different social backgrounds. Even after they’ve separated, the attraction is still there. It’s reasonable that we see a bit of that, but if you ask me, the scenes are overly long. The movie wouldn’t lose anything if you made them shorter. But I suppose they’re good for the ticket sales. It would have been a lot harder to sell a three hour long foreign movie with subtitles about the ups and downs in the life of a lesbian couple if there was no sex in it.
Natural performance
I tell you, this film is so much more than just the sex. It contains two of the best acting performances I’ve seen this year and I wouldn’t hold one over the other. They both have that kind of performance that doesn’t feel like a performance at all, but as if they’re playing themselves. It’s as if you’re watching a documentary and it’s hard to imagine that there exists such a thing as a written script with a dialogue that has been set on beforehand. I wouldn’t be surprised if it was improvised – and in such a good way!
What I also loved about the movie is that while it is a film about the love relationship between two women, it’s not primarily a movie about lesbian love, but rather a movie about two people in love, who happen to have the same sex, which makes the film much more universal than it otherwise would have been. Naturally there are a few issues that are special for a same-sex couple that comes up, like the harassment that the younger woman Adèle is exposed to at school and how difficult it is for her to come out to her parents. But those are minor side stories compared to the major conflict in the film, which is about class, heritage, what you get from your parents and how you gravitate towards people who are like you and are alienated by “the others”.
The three hours passed ever so quickly – well apart from the sex scenes then, which I just waited out – and when the movie ended, I was reluctant to part from Emma and Adèle. I wanted to know how life would turn out to them in the years to come. It’s unlikely that it will ever happen, considering what a negative experience the recording seems to have been, but if Abdellatif Kechiche decided to make a “Before” series out of this, returning to the same characters in ten years, I would definitely be there to see it.
Blue is the Warmest Colour (La vie d’Adèle, Abdellatif Kechiche, FR 2013) My rating: 4/5