Archive for the ‘About Time’ Category
Motifs in cinema 2013: Love and marriage
“And so they lived happily ever after”.
Not.
They don’t make that kind of movies anymore, do they? If want to take your loved one to a movie date, you’re probably better off staying away from any movie that has to do with love, relationships or marriage. Because they’ll probably leave you questioning if becoming a couple is such a good idea in the first place
Judging from what came out in 2013 this view on love isn’t about to change anytime soon. You have to look hard to find a film that still believes in the “one true love” that will last a lifetime. The united theme of most movies about love and marriage these days is that depicture how it breaks down one way or another. The curve of love seems to be as inevitable as the fact that entropy increases over time. Falling in love puts the world into a neat and simple order. But as we progress through time, learning more about ourselves and about the world, children getting into the picture, it starts to get more complicated. Either we give up about the relationship or we give up about ourselves. Regardless which way we go, there’s a price to pay. Pain, confusion and chaos are looming over us.
A painful wake-up
In 2013 we were introduced to a couple of movie characters who still nourish a romantic view on love, interestingly enough both men. Gatsby in The Great Gatsby has a firm belief that he’s going to win back Daisy with a shower of flowers and Ellis in Mud refuses to realize that neither he, nor Mud, have met their soul mates. They have to travel a long and painful road before they see things as they are: that they didn’t have a relationship in the first place.
Other movie couples are slightly better off, such as Liberace and his young lover in Behind the Candelabra and the female couple in Blue is the Warmest Colour. While those relationships don’t end well, at least they have a few happy years to enjoy before they start their descent.
Unchallenged on the position as “darkest depicturing of a relationship” was The Broken Circle Breakdown. I cried myself through this film, and what made me saddest wasn’t the cancer disease that the daughter of the couple was fighting. It was what the disease made to them, how it tore them apart at a time in their lives when they needed each other more than ever. It reminded a little of Blue Valentine, but more riveting thanks to the bluegrass score accompanying them as they go deeper and deeper, entering circle after circle in their inferno.
Brighter movies
Wasn’t there any movie at all that painted love in brighter colours? Well, I had to think hard about it but I came up with a few. One is About Time, where admittedly the father-son relationship is more important than the romance. But there is a romantic part as well and being a Richard Curtis movie, it doesn’t let you down.
Then there was Don Jon, not exactly romantic at first sight, being about a pretty miserable, appalling porn addict. But it gets better and it ends up being one of the more optimistic love movies from 2013.There is one that beats it though: Warm Bodies, which once for all proves that zombies can be just as romantic as vampires. How little did we know!
Two great movies about love and marriage that came out in 2013 remain. One of them is Her, but I’m not going to talk about it further in this post. Not because it doesn’t deserve a mentioning; it deals with the topic in a very interesting way and I fell in love with the movie on spot. But I watched it only the other day and so did many other people outside of the US market. In my book Her isn’t a 2013 movie. It’s one that I’ll save for next year’s motif post.
Before Midnight
The other movie is, of course, Before Midnight, THE movie about love and marriage of the year, hands down. What can I say that hasn’t been said before? I just feel privileged to be able to follow the ups and downs in Jessie’s and Celine’s relationship, reconnecting with them every nine years. If the conversation in the first movie was mostly flirty, it hit a deeper level in the second as they opened up about their current life situation and what had become of the dreams of their youth. But it’s in this third movie that it starts to get real. Not everyone who watched it appreciated this; I’ve seen some who felt genuinely sad to see them fighting the way they did, longing back for the earlier, more romantic days. I see it differently. Love is about so much more than just plain romance. Romance serves as a starting point, but it can only hold your attention that long. It’s what happens over all those following years when the novelty has worn off that truly matters. Or as they put it so beautiful in The Deep Blue Sea, which I’ve already quoted in a previous post, but is so good that it deserves to be put out there again:
A lot of rubbish is talked about love. Do you know what real love is? It’s wiping someone’s arse or changing their sheets when they’ve wetted themselves – and then let them keep their dignity so you can both go on.”
I imagine that Jessie and Celine could be this for each other in the future. I hope we’ll be able to follow them to that point. But I don’t think we’ll ever leave the theatre after watching a Before-movie in the safe knowledge that they’ll live happily ever after. Those days are irrevocably over.
About Motifs in Cinema
This post is a part in a yearly event called “Motifs in Cinema”, organized by Andrew Kendall at Encore’s World of Film & TV.
Here’s how Andrew has described the idea:
Motifs in Cinema is a discourse across some film blogs, assessing the way in which various thematic elements have been used in the 2013 cinematic landscape. How does a common theme vary in use from a comedy to a drama? Are filmmakers working from a similar canvas when they assess the issue of death or the dynamics of revenge? Like most things, a film begins with an idea – Motifs in Cinema assesses how various themes emanating from a single idea change when utilised by varying artists.”
Don’t miss out the other posts in this blogathon, which includes thirteen different themes. All the posts are collected in a list over at Andrew’s place.
A movie for days when all you want to do is to embed your soul in milk chocolate
I’ve never been entirely on board with the chocolate trend. Chocolate isn’t what it used to be. Nowadays it seems to get more praise the darker, bitterer and less accessible it is. The highest level of appraisal is when your immediate impulse is to spit it out. All I can say is that some PR person must have done a terrific job to talk us into this.
Personally I’m not ashamed to admit that I’m still a sucker for plain, traditional milk chocolate, old fashioned as it may be. It’s smooth, sweet and yet aromatic and it makes me relax unlike any other kind of food. Whenever I eat it I feel safe, protected and loved. It’s the adult equivalence of breast feeding I guess.
If we move into the world of movies, it also offers various types of chocolate, ranging from the overly sweet to the one that is so bitter that you only can digest it in smaller pieces. To me it’s not way or the other. I embrace both – the sweet and the bitter – depending on my current mood.
There are days when the very thought of a milk chocolate movie is sickening, days when all I want is to rub my skin against raw, miserable reality. And then there are other days when I use the film as a soft, warm blanket where I can take cover, reassured that life is good, there’s hope for mankind and nothing can harm me for real.
About Time is definitely a milk chocolate movie, intended to be devoured on occasions when all you want to do is to hide under a blanket and comfort yourself with huge amounts of TV and sweets. It’s a movie to keep in the first aid box. In case of emergency: put it into the DVD player and it will distract you from all sorts of troubles including illness, computer breakdown and toothache.
The poster announces in large letters: “from the creator of Love Actually, Notting Hill, Four Weddings and a Funeral”. Usually I’m not a huge fan of this kind of marketing. Just because person X made movie Z, it doesn’t necessarily mean that movie Y will be more of the same. It can give a misleading impression.
But this is not the case with About Time. This is what I’d call a WYIIWYG movie: What You Imagine Is What You Get.
Your opinion about Love Actually, Notting Hill and Four Weddings and a Funeral matters to whether you should see it or not. If you:
- are a fan of the movies mentioned above
- can accept and enjoy time travelling in movies, when it’s closer to a fairy tale than to science (think Groundhog Day)
- use milk chocolate once in a while as a remedy for the burdens of life
… this film was made for you.
If you on the other hand think that milk chocolate is just for kids and you cringe at the thought of watching yet another quirky wedding – well, then you should probably move on. This film is not for you. You should stick to the dark side of life and the bitter chocolate, 85 per cent or more.
As for me, the choice is simple. Milk chocolate is an essential part of my movie diet. And so is Richard Curtis. I don’t usually buy movies, but I might very well get a copy of About Time once it comes out on DVD, just so I can keep it ready in the First Aid Kit. You never know when you’ll need it.
About Time (Richard Curtis, UK 2013) My rating: 4/5